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・ Kenneth Fisher (educationalist)
・ Kenneth Fletcher
・ Kenneth Flindt
・ Kenneth Forbes
・ Kenneth Ford
・ Kenneth Forrest Duncan
・ Kenneth Foster
・ Kenneth Foulkes
・ Kenneth Frampton
・ Kenneth Francis
・ Kenneth Francis Brown
・ Kenneth Francis Ripple
・ Kenneth Franklin
・ Kenneth Franzheim
・ Kenneth Franzheim II
Kenneth Frazelle
・ Kenneth Frazier
・ Kenneth Fredette
・ Kenneth French
・ Kenneth Fry
・ Kenneth Fry (cricketer)
・ Kenneth Fuchs
・ Kenneth Fulton
・ Kenneth G. Eade
・ Kenneth G. Elzinga
・ Kenneth G. Forslund
・ Kenneth G. Libbrecht
・ Kenneth G. Matheson
・ Kenneth G. McCracken
・ Kenneth G. McLeod


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Kenneth Frazelle : ウィキペディア英語版
Kenneth Frazelle

Kenneth Frazelle (born December 2, 1955) is an American composer.

==Early life and studies==
Frazelle was born in Jacksonville, North Carolina, United States. Both his parents were from small tobacco farms near Richlands, North Carolina. His mother, Olive Ann Shaw, was a civil service employee at nearby Marine Corps base Camp LeJeune. His father, Kenneth Henry Frazelle, untrained but musical, died in 1962 from alcohol related illness. In the earliest years the family played musical guessing games and had a toy piano at home. The composer’s mother was an excellent provider and realized the importance of music, art, and dance lessons for each of her children. At age eight Frazelle began private piano studies. He began composing at the age of ten and also played both flute and bassoon in middle school band.
The composer left home at fifteen to attend the North Carolina School of the Arts (now the University of North Carolina School of the Arts) in Winston-Salem. His principle composition teacher was Robert Ward. He was graduated from NCSA’s high school in 1974.
Frazelle was accepted into the Juilliard School in 1974. Roger Sessions, his composition teacher for four years, had a profound influence on issues of musical gesture, contrapuntal discourse, and the integrity of musical form. The composer studied theory with David Diamond and ear training with Renee Longy. The experience of living in New York was vital. Attending operas; hearing Ella Fitzgerald, Oscar Peterson, Vladimir Horowitz, Leonard Bernstein and Pierre Boulez; discovering the poetry of A.R. Ammons, and attending John Cage and Elliott Carter premieres all had a great impact. He saw Pinter, Beckett and Albee plays on Broadway. He frequently visited the city’s art museums and galleries. Both the work of the Abstract Expressionists and the burgeoning Minimalists were influential.〔Interview with Kenneth Frazelle, October 1, 2013.〕

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